Machine Version Full Movies: Everything You Need to Know

After capture, any clip can be dragged and dropped anywhere on the timeline. Once on the timeline, clips can be duplicated, split, repositioned or edited. An AutoMovie feature offers predefined editing styles (titles, effects and transitions) for quickly creating movies.

Movie Maker 1.0, introduced with Windows Me, was widely criticized for being "bare bones"[25] and suffering "a woeful lack of features";[26] and saving movies only in Microsoft's ASF file format.[27] Critical reception of versions 2.0 and 2.6 has been slightly more positive.[26]

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The Time Machine (also marketed as H. G. Wells' The Time Machine) is a 1960 American period post-apocalyptic science fiction film based on the 1895 novella of the same name by H. G. Wells. It was produced and directed by George Pal, and stars Rod Taylor, Yvette Mimieux, and Alan Young. The story is set in Victorian England and follows an inventor who constructs a machine that enables him to travel into the distant future. Once there, he discovers that mankind's descendants have divided into two species, the passive, childlike, and vegetarian Eloi and the underground-dwelling Morlocks, who feed on the Eloi.

At the group's earlier dinner on New Year's Eve, George says time is "the fourth dimension". He shows David Filby, Dr. Philip Hillyer, Anthony Bridewell, and Walter Kemp a scale model time machine. When a tiny lever on it is pressed, the device disappears. George says it went forward in time, but his friends are doubtful. The groups leaves George's house, Filby reluctantly, as he senses George is not himself. Shortly thereafter, George retires to his private laboratory which holds a full-size time machine.

George travels forward in the machine, first in small increments and then to 1917. He meets Filby's son, James, who says Filby died in a war. George returns to the time machine and stops in 1940 during the Blitz, finding himself in the midst of "a new war". A disillusioned George then travels to 1966. People are rushing to fallout shelters as air raid sirens are blaring. An elderly James Filby urges George to take cover. George barely makes it back to his time machine as an "atomic satellite" detonates, causing a volcanic eruption. The approaching lava rises, cools, and hardens, trapping George as he travels far into the future. Eventually the lava wears away, revealing a lush, unspoiled landscape.

George stops at October 12, 802,701, near the base of a sphinx. He encounters young men and women wearing simple clothing gathered at a stream. One woman, carried off by the current, screams for help. When her indifferent companions do nothing, George rescues her. The girl is Weena and her people are the Eloi; they do not operate machines, work, or read, and know little of their history. Their food is always provided for them. One young male shows George a library, but the books crumble to dust when touched. Outraged, he decides to leave, but his machine has been dragged into the closed sphinx. Weena, who stays with him, says that Morlocks are responsible and they only come out at night. A hideous-looking Morlock jumps out and tries to drag Weena away, but is warded off by George's torch fire.

After George recounts his story, his friends remain skeptical. He produces a flower Weena gave him, and Filby, an amateur botanist, identifies it as an unknown species. George bids his guests good evening. Filby returns shortly after to find George and his time machine gone. His housekeeper, Mrs. Watchett, notes that nothing is missing except three books that she is unable to identify. When Mrs. Watchett wonders if George will ever return, Filby knowingly remarks that "he has all the time in the world".

The name of the film's main character (alluded to in dialogue only as "George") connects him both with George Pal and with the story's original science fiction writer H. G. (George) Wells. The name "H. George Wells" can be seen on a brass plaque on the time machine.[7]

The time machine prop was designed by MGM art director Bill Ferrari and built by Wah Chang.[9] Recognized today as an iconic film property, Ferrari's machine suggested a sled made up of a large clockwork rotating disk. The disk rotated at various speeds to indicate movement through time, evoking both a spinning clock and a solar disk.[citation needed] In a meta-concept touch, a brass plate on the time machine's instrument display panel identifies its inventor as "H. George Wells", though the Time Traveler is identified only as "George" in dialogue.[7] In Wells' original story, the protagonist is referred to only as the "Time Traveler".

The Time Machine received generally mixed reviews upon release. Bosley Crowther of The New York Times wrote a mixed review, praising the "familiar polish and burnish" of the production values but finding that "the drama, for all its invention, is creaky and a bit passé. (Apparently there has still been no contact with other planets in 800,000 A.D.) And the mood, while delicately wistful, is not so flippant or droll as it might be in a fiction as fanciful and flighty as this one naturally is".[10] A generally positive review in Variety praised the special effects as "fascinating" and wrote that "Rod Taylor definitely establishes himself as one of the premium young talents on today's screen", but faulted the pacing of the film, finding that "things slow down to a walk" once the protagonist arrives in the far distant future.[11] Harrison's Reports called the film "an excellent science-fiction melodrama ... jammed full of suspense, action and out-of-this-world special effects", although the review lamented a lack of comic relief.[12] Whitney Balliett of The New Yorker wrote in a negative review that the film "converts this good simple-minded material into bad simple-minded material", by including such Hollywood touches as a love interest. He was also unimpressed by the production values, writing that the model sets "don't touch the lowest-price Lionel train".[13] Richard L. Coe of The Washington Post wrote that with the exception of the "gooey" love interest, "the tale is an engrossing one, boasting adroit camera tricks by Paul C. Vogel and an exceptionally easy, likable performance of the Time Traveler by Taylor. The youngsters will like this, and their elders will be kept wide awake".[14] The Monthly Film Bulletin wrote that the film was "at its best in the scenes where George explores his new surroundings at each time stop", but found the acting "inadequate: Rod Taylor lacks both intellect and period sense, belonging more to an American science fiction world, and Weena is just a doll. Nevertheless, Pal's visual flair and genuine feeling for his fantasy world help to maintain an entertaining surface for most of the time".[15]

In 1993, a combination sequel-documentary short, Time Machine: The Journey Back, directed by Clyde Lucas, was produced. In its third section, Michael J. Fox talks about his experience with the DeLorean sports car time machine from Back to the Future. In the short's final section, written by screenwriter David Duncan, Rod Taylor, Alan Young, and Whit Bissell reprise their roles from the original 1960 film.

After he started doing the famous bit, some fans began referring to him as "the machine," just as characters in the joke eventually did. The video of the joke from one of his comedy specials has been viewed nearly 40 million times.

The animated franchise has aired in several forms since 1969, releasing various TV shows and made-for-TV movies up to the present day. In the early 2000s, the franchise adopted a sense of realism with two-live action "Scooby-Doo" movies. These movies also brought the Mystery Machine from the animated realm into the real world. As a result, fans of the series can even see the real-life Mystery Machine today.

In a classic "Scooby-Doo" reveal, the gang pulls back a table cover to show Susan Dinwiddie with a remote control in hand. In an attempt to bring her children's band back to prominence, she terrorized the gang with their own vehicle. She pulled this off by guiding the machine via wireless control.

The bench was usually paired with either kitchen cabinets or computer equipment. You could often find tables and chairs in the back as well. These features gave the team extra capabilities suited for high-tech adventures or times when they needed to stay fully supplied. The van would even have an extendable satellite dish on it occasionally. The large antenna allowed them to get a signal no matter where they were in the world.

The Mystery Machine retained its look until the 1990s. In that period, multiple TV series and movies were released featuring the whole gang and the classic van. The original show, "Scooby-Doo, Where Are You!", was an almost instant success. Even when running up against the popular ABC show "The Hardy Boys," "Scooby-Doo, Where Are You!" experienced high popularity with viewers. Going off of Nielsen ratings, the show netted 65% of all Saturday morning cartoon watchers for its time slot.

The series of "Scooby-Doo" live-action movies from the early 2000s brought the Mystery Machine to life. Although there was much speculation over what kind of vehicle the animated Mystery Machine was, there was no doubt about its make and model in the movies. In the first film, "Scooby-Doo," the Mystery Van was a Bedford CF from 1972 that the gang potentially picked up when they went to Australia.

Though Bert Kreischer's close friend and co-host of the 2 Beats, 1 Cave podcast Tom Segura has supported that the iconic Machine story is (mostly) true, this new film will be entirely fictional and looks set to turn Kreischer into a full-blown action star (maybe). The film is well into the post-production phase but not a lot of details have been revealed just yet. To find out everything we know so far about Bert Kreischer's next trip to the Motherland, read below to find out. 2ff7e9595c